History

Coming to London

 

I remember these lyrics so vividly- the first time as a student- when I came to London.

They spoke of alienation, fear and loneliness.

Big crowds, soul-less and faceless with a  paranoid  view of the world that rang true (in my head). Even now I can hear (without the CD, MP3, download or dare I say it vinyl record, playing) Weller’s voice clipped, aggressive speaking my words, my feelings, my anger at city life. The energy and feelings are what make music memorable and this is as good as it gets.

Found myself in a strange town
Though I've only been here for three weeks now
I've got blisters on my feet
Trying find a friend in Oxford Street
I bought an A to Z guide book
Trying to find the clubs and YMCAs
But when you ask in a strange town
They say don't know, don't care
And I've got to go, mate

They worry themselves about feeling low
They worry themselves about the dreadful snow
They all ignore me 'cause they don't know
Am I really a spaceman from those UFOs

You've got to move in a straight line
You've got to walk and talk in four four time
You can't be weird in a strange town
You'll be betrayed by your accent and manners

You've got to wear the right clothes
Be careful not to pick or scratch your nose
You can't be nice in a strange town
'Cause we don't know, don't care
And we got to go, man

Rush my money to the record shops
I stop off in a back street
Buy myself a snort
We got our own manifesto
Be kind to queers
And I'm so glad the revolution's here
It's nice and warm now!

I've finished with clubs where the music's loud
'Cause I don't see a face in a single crowd
There's no one there
I look in the mirror
But I can't be seen
Just a thin, clean layer of Mister Sheen
Looking back at me
Oh, oh

Found myself in a strange town
Though I've only been here for three weeks now
I've got blisters on my feet
Trying find a friend in Oxford Street

I bought an A to Z guide book
Trying to find the clubs and YMCAs
When you ask in a strange town
They say don't know, don't care
And I've got to go, mate

They worry themselves about feeling low
They worry themselves about the dreadful snow
They all ignore me 'cause they don't know
Am I really a spaceman from those UFOs



Break it up
Baby don't shake it up
Break it up

SM

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1 Comment 12.12.06 09:05, comment

Happy Birthday!

 

 

 

4th December 1882: The Royal Courts of Justice on The Strand are opened by Queen Victoria. Happy Birthday!

SM

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4.12.06 08:47, comment

Poppy

8.11.06 14:09, comment

Sex Pistols & Fleet Street

 

 

On this day in 1975 the iconic and some would argue Fleet Street's biggest target, the Sex Pistols play their first gig at Saint Martin’s College.

Strandman Salutes their wonderful chaotic first gig!

 

After Johnny Rotten joined The Swankers as their new vocalist, the band changed its name to The Sex Pistols under the guidance of its new manager Malcolm McLaren. Shortly afterwards, on this day 31 years ago, they played (or attempted to play) their first gig at Saint Martin’s College.

 

God Save The Press

 

SM

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1 Comment 6.11.06 07:45, comment

Per Ardua ad Astra

 

 

 

 

A walk on the cold side...

I was walking across the St Clements Danes churchyard this morning and saw the most lovely little flower tribute placed at the bottom of the statue to Lord Dowding. It was a moving tribute. Hand written, perhaps the scrawl of an elderly person. And simply, emotionally it said thank you for keeping us safe, Per Ardua ad Astra  As far as can be ascertained, the motto of the Royal Air Force dates back to 1912 and the formation of the Royal Flying Corps (RFC). The first Commanding Officer of the RFC (Military Wing) was Colonel Frederick Sykes. He asked his officers to come up with a motto for the new service; one which would produce a strong esprit de corps.

Shortly after this, two junior officers were walking from the Officers' Mess at Farnborough to Cody's Shed on Laffan Plain. As they walked, they discussed the problem of the motto and one of them, JS Yule, mentioned the phrase "Sicictar ad Astra", from the Virgilian texts. He then expanded on this with the phrase "Per Ardua ad Astra", which he translated as, "Through Struggles to the Stars". Colonel Sykes approved of this as the motto and forwarded it to the War Office. It was then submitted to the King, who approved its adoption.

 

The question of where this motto had come from can be answered by he fact that Yule had read it in a book called "People of the Mist" by Sir Henry Rider Haggard. In the first chapter was the passage, "To his right were two stately gates of iron fantastically wrought, supported by stone pillars on whose summit stood griffins of black marble embracing coats of arms and banners inscribed with the device 'Per Ardua ad Astra'".

 

As to where Sir Rider Haggard obtained this phrase is still unclear although it is possible that it originated from the Irish family of Mulway who had used it as their family motto for hundreds of years and translated it as "Through Struggles to the Stars".

 

The authoritative translation of the motto is just as unsure as the source. Since there can be a number of different meanings to 'Ardua' and 'Astra', scholars have declared it to untranslatable. To the Royal Air Force and Commonwealth Air Forces though it will remain "Through Struggles to the Stars". It is peculiar to the Royal Air Force and has been made famous by the heroic and courageous deeds of our air forces over the years.

 

 

 

Air Chief Marshal Sir Hugh Dowding, Air Officer Commanding-in-Chief Fighter Command

A statue of Dowding stands outside St Clement Danes church on The Strand, London. The inscription reads:

 

'Air Chief Marshal Lord Dowding was commander-in-chief of Fighter Command, Royal Air Force, from its formation in 1936 until November 1940. He was thus responsible for the preparation for and the conduct of the Battle of Britain. With remarkable foresight, he ensured the equipment of his command with monoplane fighters, the Hurricane and the Spitfire. He was among the first to appreciate the vital importance of R.D.F. (radar) and an effective command and control system for his squadrons. They were ready when war came. In the preliminary stages of that war, he thoroughly trained his minimal forces and conserved them against strong political pressure to disperse and misuse them. His wise and prudent judgement and leadership helped to ensure victory against overwhelming odds and thus prevented the loss of the Battle of Britain and probably the whole war. To him, the people of Britain and of the Free World owe largely the way of life and the liberties they enjoy today.'

 

Hugh Dowding was born at Moffat in 1882. Educated at Winchester and the Royal Military Academy, Woolwich, he was commissioned in the Royal Garrison Artillery and spent the early years of his service career overseas. After spending two years at the Staff College, Camberley, Dowding took the opportunity to learn to fly at Brooklands and gained his RFC wings during 1913.

 

The outbreak of the Great War saw him spend time in France with Nos 6 and 9 Squadrons before his interest in wireless telegraphy led to him returning home to form the Wireless Experimental Establishment at Brooklands in April 1915. Within months, however, Dowding was back in France, this time as Officer Commanding No 16 Squadron before taking command of the Ninth (Headquarters) Wing during the Battle of the Somme. Differences of opinion with Trenchard saw him return the UK to run the Southern Training Brigade at Salisbury, a post he occupied for the rest of the war.

 

Following the war, Dowding spent time in the Air Ministry and in Staff Officer posts, but it was his appointment as the Air Council as Air Member for Supply and Research at the end of 1930 and his subsequent position as Air Member for Research and Development were he influenced the future shape of Britain's defences. Here, he encouraged the development of advanced fighter aircraft, and it was largely on his initiative that the Hurricane and Spitfire were ordered into production in 1934. He also showed tremendous interest in the detection of enemy aircraft and provided his full support to the new Radio Direction Finding (RDF) equipment then under development.

 

His interest in defence made him the natural choice to command the new Fighter Command when it was set up in July 1936, and was disappointed to be overlooked for the position of Chief of the Air Staff (CAS) in 1937 (which went to Newall). Dowding continued to prepare his Command for war, overseeing the introduction new aircraft, bullet-proof wind-screens, the development of the Observer Corps and the integration of RDF units with communications and control organisations into a structure far in advance of anything else in the world.

 

Heavy fighter losses in France saw Dowding warn the War Cabinet of the dire consequences should the present wastage rates continue, and a letter dated 16 May 1940 is one of the great documents of history. After covering the evacuation from Dunkirk, he had just enough aircraft to fight the Luftwaffe in the one place they could be effectively used - within the comprehensive air defence system he had built in the UK. Even so, he admitted that the situation was "critical in the extreme" and while it is true that the immortal "Few" - his 'chicks' as Churchill christened them - won the Battle using the organisation he had created, the Luftwaffe lost it through bad leadership, faulty tactics and mistaken target selection. His personal role was, of course, limited. Day-to-day control of the fighters rested with the Group Commanders, of which Air Vice-Marshal Park (11 Group) and Air Vice-Marshal Leigh-Mallory (12 Group) bore the brunt of the enemy attacks, but the differing views of the two men (Park's closely matched those of Dowding, while Leigh-Mallory favoured large formations of defending aircraft - 'big wings'), and Dowding's inability settle the squabble between the two led to serious criticism of him. The Air Ministry favoured Leigh-Mallory's policies, and Dowding was increasingly seen as uncooperative and difficult to get on with. Within weeks of the end of the Battle of Britain, and with a new CAS (Air Chief Marshal Portal) in post, Dowding (now aged 58) relinquished his position. He was persuaded by Churchill to head an aircraft purchasing mission to the USA, a role for which he was quite unsuited, and also headed a major RAF economy study before finally retiring in July 1942.

 

An unwillingness to break with Service precedents meant that Dowding was not promoted to the rank of Marshal of the Royal Force - even when it was suggested by the King, and he spent the rest of his life largely away from the RAF. In later years he became President of the Battle of Britain Fighter Association. After his death in 1970, his remains were interred in Westminster Abbey, a fitting tribute to his remarkable achievements.

SM

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2.11.06 07:09, comment

I’m a loser, baby!


You're never alone with a Strand,
The cigarette of the moment.


I hate smoking: the smell, the health problems it creates, the look, the ad, the addiction, the sadness. Luckily enough this is typified by our own brand of Cigarette: Strand.


STRAND CIGARETTES


Their 1960 advertising campaign flopped disastrously. Based on a Frank Sinatra film, the advert showed actor Terence Brook as the mysterious man lighting up a Strand cigarette on a street corner and declaring "you're never alone with a Strand".

It was hugely popular and Brook became a celebrity overnight, with the accompanying Lonely Man theme reaching number 39 on the charts. Yet, much as people loved it, they didn't buy the product and the campaign was soon discontinued.


The theory was that viewers believed that if they smoked Strand they would end up as lonely as the chap on the deserted street corner in the commercial. Smokers are losers.


I know what they mean.


You're never alone with a Strand (1959).

This jingle was written by (the famous) Cliff Adams. This was followed by the theme tune. As soon as the commercial went on the air, enquiries started coming in, people ringing up and asking if there was a record of the music available. So Cliff Adams quickly went to a studio and recorded "The Lonely Man Theme". The released record contained no vocals and nothing was mentioned about cigarettes, just the musical theme. It is known that another version was recorded including some vocals but this was never released.


Famous smokers of the past used cigarettes or pipes as part of their image, such as Jean Paul Sartre's Gauloise-brand cigarettes, Bertrand Russell's pipe, Lord of the Rings' Gandalf, or the news broadcaster Edward R. Murrow's cigarette. Writers in particular seemed to be known for smoking; Cornell Professor Richard Klein's book Cigarettes are Sublime, the role smoking plays in 19th and 20th century letters. British Prime Minister Harold Wilson was well known for smoking a pipe in public as was my hero Winston Churchill for his cigars. Sherlock Holmes, the fictional detective created by Sir Arthur Conan Doyle also smoked a pipe.

 DO NOT SMOKE!

There is a message in that somewhere.


 

SM

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2 Comments 31.10.06 06:25, comment